Mitch Isabirye's 'The Manifest' Silences Crowds, Amplifies Poetry's Reach

Poetry is finding a vibrant and expanding audience in Uganda, with spoken word artist Mitch Isabirye’s ‘Mitchz Manifest’ event leading the charge. This unique showcase, now in its fourth year, utilizes wireless headsets, similar to a silent disco, to create a deeply personal connection between performers and listeners.

This innovative format allows every nuance, pause, and punchline of the spoken word to be felt directly, bypassing the need for loud amplification. Held at the Uganda National Theatre gardens, the event has become a consistent platform for both established and emerging poets, musicians, and literature enthusiasts.

The latest edition featured a diverse lineup. Rowland Aine hosted, with performances from Arturo Silver Tongue and Mutagwanya Joan setting a reflective tone. The evening also saw musical interludes from singer-songwriter Edwardo Kayondo and Geof De Poet, as well as poignant ballads by General Zabu.

Headliner Mitch Isabirye captivated the audience with a performance that spanned humor, vulnerability, and sharp social commentary. His pieces delved into themes of heartbreak, survival, identity, and the realities of life in Kampala. Standout performances included ‘Ki Ekiriwo Kampala,’ a meditation on urban struggles, and an untitled political poem that critically examined Uganda’s relationship with its history and governance.

Despite the critical observations, Isabirye concluded with a message of hope. The event also explored cultural themes with “Gyetugunywera” and personal reflections on love and perseverance with “Ogwange” and “Nayanguwa.”

The evening culminated in a standing ovation, underscoring the event’s success. The full capacity at the National Theatre gardens highlights poetry’s burgeoning popularity, demonstrating that the audience for spoken word in Uganda is not only present but actively seeking out engaging performances.